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Right on time with release of their new opus, the band has confirmed the 'The Drifting Tour', which will drown Europe from September 26th to October 31st in waves of fuzzy, hard rocking riffs and sweaty, cranked up blues! Prior to that, RADIO MOSCOW will perform at several European festivals as well as head over to the UK for a mini tour in August with support coming from The Groundhogs. Furthermore, a US west coast tour has been recently added, too!

See a list of all dates below. Formed in 2003, the power trio led by Stratocaster genius Parker Griggs carved their own sonic niche fusing crunching, heavy Sabbath-style chords with fiery 'Hendrixian' solos and a raw intensity that is addictive and captivating. From the self-titled debut back in 2007, which was produced by Black Keys' Dan Auerbach, over to last year's 'Live!

Srgb Vs Adobe 1998 Vs Prophoto Rgb In Photoshop. In California', RADIO MOSCOW proved to be not just a cheap time machine but a direct descendant from the golden age of rock 'n' roll!

Prior to the formation of the band, Parker Griggs recorded under the solo alias Garbage Composal. After completing an album's worth of material, Griggs enlisted bassist Serana Andersen to form Radio Moscow, and the duo relocated to Colorado. Following a Black Keys gig, Griggs got a demo into the hands of frontman Dan Auerbach, he then helped in getting Radio Moscow signed to Alive Naturalsound Records, Upon returning to Iowa, Luke McDuff was brought in as the new bassist of the group. Griggs and McDuff then recorded the band's debut album in 2006, with Auerbach handling production duties; Radio Moscow was released in February 2007. Shortly after the release of the album, McDuff was replaced by Zach Anderson. Radio Moscow are often compared stylistically to blues rock bands from the 1960s and 1970s, particularly fellow power trios like Cream, The Jimi Hendrix Experience and Blue Cheer.

Reviewing the band's self-titled album for music website AllMusic, Greg Prato described the group's sound as 'a throwback to the classic rock of the '70s', comparing certain songs to artists such as Ram Jam, The Allman Brothers Band and The Jeff Beck Group. Following the release of Brain Cycles, Radio Moscow have also been cited as an example of the stoner rock genre. Chaotic from start to finish, Radio Moscow's third album Great Escape of Leslie Magnafuzz is all about playing vintage riffs as hard and fast as possible. The group takes the fundamentals of garage and blues-rock, and pushes them to the max with on-stage energy. The only thing is, they aren’t a group at all.

With the exception of the bass parts handled by bassist Zack Anderson, Parker Griggs plays every instrument on the record. His hyperactive drumming and screaming, wah-wah fuzz guitar solos are beyond showy, and he’s a powerful singer to boot, with his beefy yet tuneful growl. The mood and tempo of Great Escape of Leslie Magnafuzz is relentless, which can be a plus, but because there isn't much variety in Griggs and Anderson's simple, blues-based musical vocabulary, the multi-sectioned songs sometimes run on and on, like aimless jams, until the intensity starts to become a blur. Still, the duo plays hard as hell, and emulate the early-‘70s revival to a 'T' (right down to the psychedelic production and crazy studio panning and echo tricks). Sure, “Turtle Back Rider” is derivative of the Jimi Hendrix Experience, and “I Don’t Need Nobody” is a lift from the Allman Brothers Band all the way, but you can't blame them. Radio Moscow's just following in those bands' footsteps of taking old Delta blues riffs and amping them up. In this case, way up.